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News, findings and blog posts—Insights is where the GRANSHAN editorial team shares interesting facts, views and curiosities from the global world of script, type design and typography with a special focus on all matters beyond Latin. Various authors from the community get a word here, as do experts on special topics and selected professionals from other sectors.
Dr Huda Smitshuijzen AbiFarès explains the exhibition and draws attention to the innovative approaches to the design of letters and typefaces in the various graphic design projects on display.
»How can Arabic script be seen as something other than problematic?« asks Golnar Katrahmani programmatically. Her answer: for example, through
Many of us equate Cyrillic with Russian. But that’s not true. Krista Radoeva tells us that it's finally time to …
Have you ever heard about Baybayin? is one of the precolonial writing systems used by early Filipinos.
Georgia may be a small country, but it has an ancient and rich culture. It is a particular pleasure that the country is participating in the GRANSHAN Type Design Competition for the first time.
Here is a short textual overview of the winners of the 13th GRANSHAN Type Design Competition – the winning works are be shown with pictures in our GRAND EXHIBITION in the menu item Exhibition on our website.
The GRANSHAN Foundation is co-organiser of a study trip to Armenia from 5 to 13 September 2024
GRANSHAN fosters a global typographic community valuing cultural diversity and mutual respect. Veronika Burian and Toshi Omagari will now manage the Cyrillic Script Group. GRANSHAN stands for respect and solidarity.
The 13th GRANSHAN Type Design Competition 2023/2024 is open for global submissions until 15 February 2024. Featuring new categories, script groups, and a €3,000 Grand Prize, the competition honors Edik Ghabuzyan.
Oesol and GRANSHAN are a perfect match as they both believe that type drives culture – and vice versa.
