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GRANSHAN

GRANSHAN Bloom

Specifics

Where Scripts Bloom

The GRANSHAN Bloom Award recognizes outstanding design solutions across cultures and script systems. The world doesn’t write in Latin alone. It writes in Arabic and Bengali, in Khmer, Japanese, Korean, Tamil, Thai – in shapes that are more than marks: they are expressions of heritage, belonging, and emergence.

GRANSHAN is the only international design competition fully dedicated to this richness. Our focus is exclusive: Global scripts beyond Latin are not a category, they are the core. Every entry is judged by jurors who not only see design – they read it. In the original script. In the original language. In the cultural, political, and emotional context it speaks from. Here, design is not only seen – it is understood, in all the shapes and sounds that carry a culture.

The Bloom Award celebrates the strength of the specific. Because only those who know their own script, who speak through their identity, can add a distinct voice to the global chorus – and be truly heard.

Make your script visible. Make your voice resonate.

Welcome to the very new GRANSHAN Bloom Award!

Boris Kochan
President of the GRANSHAN Foundation


The Script Groups

  • Arabic derived Scripts
    Arabic, Persian, Kurdish, Urdu
  • Chinese
    traditional or simplified
  • Greek
  • Korean
  • Indic Scripts
    Devanagari, Bengali, Gurmukhi, Telugu, Tamil, Gujarati, Malayalam, Sinhala, etc.
  • South East Asian Scripts
    Thai, Burmese, Laos, Khmer
  • Armenian
  • NEW
    Japanese

Competition Categories

MEDIA CATEGORIES

Alongside this typographic diversity, the competition embraces 9 media categories – each offering its own stage for outstanding typographic creativity. Every project is assessed within its chosen medium by experts in that specific field.

Entries may be submitted in multiple media categories, but must be entered – and paid for – separately in each category. Each entry can optionally be marked as a student or internship project. 

Editorial & Publishing

Exceptional design work in editorial contexts, where content and typography come together to form compelling reading experiences across printed and digital media.
Eligible formats include:
– Book Design (non-fiction, art books, catalogues)
– Magazine & Newspaper Design (print or digital)
– Typographic Editorial Series (columns, literary series, serialized essays)
– Independent Publishing (zines, self-published books, newsletters, experimental formats) 

Posters (Print & Digital)

Outstanding poster design across cultural, commercial, or social contexts, with emphasis on strong messaging, typographic clarity, and visual impact.
Eligible formats include:
– Single Posters
– Poster Series
– Large Format Posters (e.g., 18/1 billboards, urban outdoor formats)
– Digital Posters (screen-based displays in public or commercial space)

Packaging Design

Innovative and functional packaging that elevates brand identity and user engagement. Strong emphasis on typographic detail and visual storytelling through form.
Eligible formats include:
– Single Product Packaging
– Product Lines & Series
– Typographic Packaging (designs where type is the core visual element)

Digital Media & Interface Design

Creative screen-based design solutions that push interaction and typographic excellence in digital spaces.
Eligible formats include:
– Websites & User Interfaces
– Mobile Applications
– Digital Publications / E-books / Interactive Books
– Microsites or Digital Storytelling Platforms

Motion Graphics & Animation

Time-based design work that uses typography and visual motion to tell stories, express ideas, or guide attention.
Eligible formats include:
– Typographic Animations
– Title Sequences
– Motion Graphics for campaigns, music, education, or branding
– Kinetic Type Experiments
– Applications making distinctive use of variable fonts (e.g., dynamic weight, width, or optical size)

Environmental & Experiential Design

Spatial communication projects that use type, image, and structure to shape experiences in the physical or hybrid environment.
Eligible formats include:
– Exhibition & Fair Design
– Wayfinding Systems & Signage
– Spatial Typography (installations, type in architecture, digital-physical hybrids)

Campaigns

Integrated communication strategies across single or multiple channels, with a strong typographic and visual narrative.
Eligible formats include:
– Print Campaigns (editorial, advertising, public communication)
– Cross-Media Campaigns (print, digital, physical)
– Public Interest Communication (social, political, cultural)

Visual Identity & Branding

Design of coherent brand identities that express character, values, and context through typography and visual language.
Eligible formats include:
– Corporate Design Systems / Visual Identities
– Logo Design
– Type-Centered Branding (identities primarily driven by type)

Experimental, Unpublished & Calligraphic Works

A home for independent and speculative work that explores new typographic approaches, tools, and cultural narratives — especially in beyond Latin script contexts.
Eligible formats include:
– Self-Initiated Projects
– Research-Based or Conceptual Prototypes
– Early-Stage Concepts / Works in Progress
– Calligraphic Works and Explorations
– Not Yet Published or Realized Works
– Explorative Typography

Fees

The GRANSHAN Bloom Award is created by the community, for the community.

Our aim is to make participation possible for designers and organisations of all sizes and from all economic contexts – while ensuring we can organise the competition, run the jury process, and honour the winners in a meaningful way.

To keep the process fair, we offer three fee levels based on self-assessment:

  • Low-income / Students / Freelancers – for individuals, students, and independent designers with limited resources.

  • Small & Medium Companies – for studios and agencies with modest team sizes and turnover.

  • Large Companies – for established agencies, companies, or institutions with greater organisational capacity.

We trust each entrant to choose the category that best reflects their situation.

Fees apply per submission and per media category – if a project is entered in more than one category, each entry is assessed (and paid for) separately.

Your regis­tra­tion in the submis­sion tool as well as the creation of drafts are free of charge. Submis­sions are subject to a fee from the time the submis­sion is completed. After that, submis­sions cannot be cancelled or refun­ded.

The fees outlined in the table are set as a minimum. Any addi­tional higher payment on a volun­tary basis would be very welcome.

Fees include VAT. For the first time, payment can now be made directly in the submis­sion tool via Stripe (credit cards, PayPal and others).

Low-income / Students / Freelancers

for individuals, students, and independent designers with limited resources.

Editorial & Publishing

30.00 €

Posters (Print & Digital)

30.00 €

Packaging Design

50.00 €

Digital Media & Interface Design

50.00 €

Motion Graphics & Animation

50.00 €

Environmental & Experiential Design

50.00 €

Campaigns

75.00 €

Visual Identity & Branding

75.00 €

Experimental, Unpublished & Calligraphic Works

40.00 €

Small & Medium Companies

Editorial & Publishing

90.00 €

Posters (Print & Digital)

90 €

Packaging Design

175.00 €

Digital Media & Interface Design

175.00 €

Motion Graphics & Animation

175,00 €

Environmental & Experiential Design

175.00 €

Campaigns

250.00 €

Visual Identity & Branding

250.00 €

Experimental, Unpublished & Calligraphic Works

130.00 €

Large Companies

Editorial & Publishing

150.00 €

Posters (Print & Digital)

150.00 €

Packaging Design

300.00 €

Digital Media & Interface Design

300.00 €

Motion Graphics & Animation

300.00 €

Environmental & Experiential Design

300.00 €

Campaigns

450.00 €

Visual Identity & Branding

450.00 €

Experimental, Unpublished & Calligraphic Works

225.00 €

Evaluation Procedure

EVALUATION CRITERIA

Every entry to the GRANSHAN Bloom Award is judged with care and curiosity – by experts who value both bold ideas and flawless execution. Our criteria reflect the balance between concept, craft, and cultural relevance, ensuring that outstanding work is recognised in all its dimensions.

  • Concept & Innovation – Ideas that surprise, inspire, and push the discipline forward.

  • Communication & Clarity – Design that speaks with precision and purpose.

  • Visual & Aesthetic Quality – Beauty, balance, and detail in perfect harmony.

  • Typographic Excellence – Mastery of letterforms and the scripts they belong to.

  • Craftsmanship & Execution – Impeccable finish with every element purposefully placed.

  • Usability & Functionality – Works seamlessly in both form and function.

  • Cultural & Social Relevance – Design that resonates with its time, place, and audience.

While all criteria are important, three stand at the very core of our mission – and will each carry double weight in the jury’s evaluation: Concept & Innovation, Typographic Excellence, and Cultural & Social Relevance. Together, they form the living triad of the GRANSHAN Bloom Award: the spark of a bold idea, the mastery of the script in every curve and counter, and the deep resonance of a design rooted in its cultural soil. It is where vision meets craft, and where both find their true meaning in the stories, symbols, and communities they serve.

Timetable

The GRANSHAN Bloom Award unfolds in clear stages – giving you plenty of time to prepare your best work and ensuring a fair, thorough evaluation.

BLOOM Submission Launch

Starts December 2025

Save the Date

Submission Phases

Early Bird: December 2025– 3 March

Standard: 4 March – 19 May 2026

Late Bird: 20 May – 9 June 2026

End of Entryphase

9 June 2026

Evaluation Phase

Summer 2026

Announcement of winners

September 2026

Awards

JURY PROCESS & AWARDS


The GRANSHAN Bloom Award follows a three-stage jury process designed to recognise excellence at every step – and to ensure that every winning project receives meaningful, visible recognition.

All entries are presented to the jury in an anonymised format. Each project is accompanied by the descriptive texts from the entry form (with no identifying details) and, wherever available, by animated or motion-based representations. This ensures that jurors can assess not only the visual quality of the design, but also how it performs in its intended, dynamic context.

What You Can Win

Each winning work receives the hallmark of the GRANSHAN Bloom Award. All awards are equal in status; there are no gold, silver, or bronze rankings.

From these winners, the international Grand Jury selects up to 50 Best of the Best – the highest distinction in the competition.

In addition, we plan to present a range of special awards in collaboration with partner organisations and institutions. These may highlight projects that, for example, explore experimental tools and emerging technologies, engage deeply with typographic culture and heritage, or demonstrate design’s capacity to create social impact. The exact special awards will be announced once partnerships are confirmed.

Supporting Foundries’ Choice Award 

In addition to the main jury prizes, each of our Supporting Foundries may present a special recognition: the Foundry’s Choice. After the official jury decisions, every Foundry may select one of the awarded projects in which their own typefaces have been used with particular creativity and impact.

These projects will be spotlighted twice – first by the Foundry itself on its own channels, and again through GRANSHAN’s global platforms – giving the selected works an extra layer of visibility, credibility, and promotion within the international design community.

For entrants, this means another chance to win: beyond the GRANSHAN Bloom Award, your project could be chosen by a leading, globally active type foundry as their highlight – directly connecting your work to some of today’s most influential independent font publishers.

SUBMISSION TOOL & FORMATS BY MEDIA CATEGORY

All entries to the GRANSHAN Bloom Award are submitted through our dedicated submission tool, developed in collaboration with a specialist for competition platforms. This system allows you to upload your work in the required digital formats and guides you step-by-step through the process. You can revise and update your entry at any point until you make the final »Submit« – so feel free to start early and refine as you go.

For physical or printed works, high-quality digital documentation is essential – photographs, scans, or video recordings that present the work clearly. For example, a magazine can be uploaded both as a browsable PDF and as a short video flipping through the pages, alongside individual high-resolution page images to show typographic detail.

The submission tool is designed to collect not only your project files but also the information needed for jury evaluation and, in the case of an award, for immediate use in our online exhibition, printed catalogue, and physical displays. You will be asked to provide:

  • Entrant and contact details

  • Photos, PDFs, Videos

  • A concise project description

  • Credits for all contributors, with short biography

All materials should be prepared so that, if your work is awarded, they can be used without further editing for digital projection, large-format printing, or online presentation. The same platform will also be used by the jury to review and evaluate your work in the first round of judging. Please note: an entry will only be forwarded to the jury once the participation fee has been paid.

To ensure a fair evaluation, all projects are presented to the jury anonymously. Descriptive texts provided in the entry form will accompany the work, but must not include any information that reveals the entrant’s identity. Whenever possible, submissions should include animated or motion-based material (video, GIF, or equivalent) so that the jury can experience the work in its intended dynamic form.

Eager to showcase your talent and stand out among the best? Don't miss this opportunity—submit your entry to the competition today and let your skills shine.
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